Fifty Shades of Grey Male Review in West Palm Beach Fl 2018
Burt Reynolds | |
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![]() Reynolds in 1991 | |
Born | Burton Leon Reynolds Jr.[1] (1936-02-eleven)February eleven, 1936 Lansing, Michigan, U.S. |
Died | September 6, 2018(2018-09-06) (aged 82) Jupiter, Florida, U.S. |
Resting identify | Hollywood Forever Cemetery, California, U.South. |
Alma mater | Florida Country University |
Occupation | Thespian |
Years agile | 1958–2018 |
Spouse(s) | Judy Carne (one thousand. 1963; div. 1965) Loni Anderson (m. 1988; div. 1994) |
Partner(s) | Dinah Shore (1971–1975) Sally Field (1976–1980) |
Children | one |
Website | burtreynolds |
Burton Leon Reynolds Jr. (February eleven, 1936 – September 6, 2018) was an American actor, considered a sexual practice symbol and icon of American popular civilisation.[2] [3] [4]
Reynolds first rose to prominence when he starred in tv serial such equally Gunsmoke (1962–1965), Hawk (1966), and Dan August (1970–1971). Although Reynolds had leading roles in such films as Navajo Joe (1966) and 100 Rifles (1969), his quantum part was every bit Lewis Medlock in Deliverance (1972). Reynolds played the leading part – oftentimes a lovable rogue – in a number of subsequent box office hits, such as White Lightning (1973), The Longest Yard (1974), Smokey and the Bandit (1977), Semi-Tough (1977), The Finish (1978), Hooper (1978), Starting Over (1979), Smokey and the Bandit 2 (1980), The Cannonball Run (1981), Sharky'due south Machine (1981), The Best Niggling Whorehouse in Texas (1982), and Cannonball Run II (1984), several of which he directed himself, likewise every bit Don Bluth's animated film All Dogs Go to Heaven (1989).[5] [6] He was nominated twice for the Gold Globe Honor for Best Player – Movie Musical or One-act.
Reynolds was voted the world'south number i box-part star from 1978 to 1982 in the annual Top Ten Money Making Stars Poll, a record he shares with Bing Crosby. After a number of box-function failures, Reynolds returned to tv, starring in the sitcom Evening Shade (1990–1994), which won him a Gilt Globe Award and Primetime Emmy Laurels for Outstanding Lead Actor in a One-act Series. His performance as high-minded pornographer Jack Horner in Paul Thomas Anderson'due south Boogie Nights (1997) brought him renewed critical attention, earning him some other Golden Globe (for All-time Supporting Actor – Movement Motion-picture show), with nominations for an University Honor for Best Supporting Player and a BAFTA Award for Best Supporting Actor.[7] [viii] [9]
Early life [edit]
Burton Leon Reynolds Jr. was born on February eleven, 1936,[10] to Harriet Fernette "Fern" (née Miller) and Burton Milo Reynolds (1906–2002).[eleven] His family descended from Dutch, English language, Scots-Irish, and Scottish ancestry. Reynolds also claimed Cherokee and Italian roots.[12] [xiii]
During his career, Reynolds often claimed to have been born in Waycross, Georgia, although in 2015, he stated that he was actually born in Lansing, Michigan.[xiv] In his autobiography, he stated that Lansing is where his family lived when his male parent was drafted into the The states Regular army.[xv] [16]
Reynolds, his mother, and his sister joined his father at Fort Leonard Forest, Missouri, where they subsequently lived for two years. When his begetter was sent to Europe, the family moved to Lake City, Michigan, where his mother had been raised.[17] In 1946, the family moved to Riviera Beach, Florida. Reynolds's male parent eventually became Primary of Law of Riviera Beach, which is adjacent to the due north end of West Palm Embankment, Florida.
During 10th grade at Palm Beach Loftier School, Reynolds was named Start Team All State and All Southern as a fullback, and received multiple scholarship offers.[eighteen]
Higher [edit]
Afterwards graduating from Palm Beach High Schoolhouse, he attended Florida Country University on a football scholarship and played halfback, starting in 1954. While at Florida Land, he roomed with future college-football motorbus, broadcaster, and analyst Lee Corso, and besides became a brother of the Phi Delta Theta fraternity.[19]
Reynolds had an outstanding freshman yr in football. All the same, he injured his knee in the start game of his sophomore flavour, and, afterwards that year, lost his spleen and injured his other knee in a bad car accident. He did not return to the university for almost two years.[twenty] To go on upward with his studies, he enrolled at Palm Beach Junior College (PBJC) in neighboring Lake Park in early 1956.[21] When Reynolds returned to Florida Country in 1957, he rejoined the football game team, although his leg injured in the car accident slowed him down. He was blamed, fairly or non, for the squad'south loss to North Carolina State on Oct 12, 1957. Immediately post-obit the game he told his teammates that he was washed with football.[20]
Early interim [edit]
During his term at PBJC in early on 1956, Reynolds was in an English grade taught by Watson B. Duncan III. Duncan pushed him into trying out for a play he was producing, Outward Bound. He cast him in the pb function based on having heard him read Shakespeare in class, leading to his winning the 1956 Florida State Drama Award for his performance. "I read two words and they gave me a lead", he afterwards said.[22]
In his autobiography, he referred to Duncan equally his mentor and the most influential person in his life.[23]
Career [edit]
Theatre [edit]
The Florida Land Drama Award included a scholarship to the Hyde Park Playhouse, a summer stock theatre, in Hyde Park, New York. Reynolds saw the opportunity as an agreeable alternative to more physically demanding summer jobs, but did non nevertheless run across acting every bit a possible career. While working at that place, Reynolds met Joanne Woodward, who helped him find an agent.
"I don't call back I ever actually saw him perform", said Woodward afterwards. "I knew him as this cute, shy, bonny male child. He had the kind of lovely personality that fabricated you lot desire to do something for him."[22]
He was cast in Tea and Sympathy at the Neighborhood Playhouse in New York City. Afterward his Broadway debut in Look, We've Come Through, he received favorable reviews for his operation and went on tour with the cast, driving the bus as well as appearing on phase.[24]
Later the tour, Reynolds returned to New York and enrolled in interim classes, along with Frank Gifford, Carol Lawrence, Cherry Buttons and Jan Murray.
"I was a working actor for ii years before I finally took my first real acting form (with Wynn Handman at the Neighborhood Playhouse)", he said. "Information technology was a lot of technique, truth, moment-to-moment, how to listen, improv."[22]
After a botched improvisation in acting course, Reynolds briefly considered returning to Florida, but soon gained a role in a revival of Mister Roberts, in which Charlton Heston played the starring part.
After the play airtight, the director, John Forsythe, arranged a film audition with Joshua Logan for Reynolds. The film was Sayonara (1957). Reynolds was told he could not be in the film because he looked also much like Marlon Brando. Logan brash Reynolds to go to Hollywood, although Reynolds did not feel confident enough to do so.[25] (Another source says Reynolds did a screen test after studio talent agent Lew Wasserman saw the event Reynolds had on secretaries in his role merely the test was unsuccessful.[26])
He worked in a variety of jobs, such as waiting tables, washing dishes, driving a delivery truck and as a bouncer at the Roseland Ballroom. Reynolds wrote that, while working as a dockworker, he was offered $150 to bound through a glass window on a live television show.[27]
Early television and Riverboat [edit]
Reynolds began acting on television in the late 1950s, invitee starring on shows like Flying, M Squad, Schlitz Playhouse, The Lawless Years and Pony Express. He signed a seven-year contract with Universal.[28] "I don't care whether he tin act or not", said Wasserman. "Anyone who has this effect on women deserves a break."[26]
Reynolds'south first big intermission came when he was bandage alongside Darren McGavin in the lead of the TV series Riverboat (1959–61), playing Ben Frazer. According to a contemporary study, Reynolds was considered "a double for Marlon Brando".[29] The show went for two seasons but Reynolds quit afterwards merely 20 episodes, claiming he did non get forth with McGavin or the executive producer, and that he had "a stupid role."[30]
Reynolds and so said that he "couldn't get a job. I didn't accept a very good reputation. You lot just don't walk out on a network television series."[28]
Reynolds returned to invitee starring on television shows. As he put information technology, "I played heavies in every series in town",[thirty] appearing in episodes of Playhouse xc, Johnny Ringo, Alfred Hitchcock Presents, Lock Upwards, The Blue Angels, Michael Shayne, Zane Grey Theater, The Aquanauts and The Brothers Brannagan. "They were depressing years", he afterward said.[28]
Reynolds made his pic debut in the low budget Angel Infant (1961), billed fourth. He followed it with a role in a state of war film, Armored Control (1961). "It was the one picture that Howard Keel didn't sing on", reminisced Reynolds afterward. "That was a terrible fault."[31]
In 1961, he returned to Broadway to appear in Await, We've Come Through, under the direction of José Quintero, but it lasted only five performances.[32]
Reynolds continued to invitee star on shows such as Naked City, Ripcord, Everglades, Route 66, Perry Stonemason, and The Twilight Zone ("The Bard", an 60 minutes-long send-up of Reynolds's expect-akin Marlon Brando). He after said, "I learned more about my craft in these guest shots than I did continuing effectually and looking virile on Riverboat." [33]
Gunsmoke [edit]
Reynolds as Quint Asper in Gunsmoke, 1962
In 1962, Dennis Weaver wanted to get out the cast of Gunsmoke, one of the top rated shows in the country. The producers developed a new character, "halfbreed" blacksmith Quint Asper: Reynolds was cast, chirapsia over 300 other contenders. Reynolds announced he would stay on the show "until information technology ends. I think it'due south a terrible mistake for an actor to go out a series in the heart of information technology."[xxx] Reynolds left Gunsmoke in 1965. He later said that being in that show was "the happiest menses of my life. I hated to leave that prove but I felt I had served my apprenticeship and there wasn't room for two leading men."[28]
He was cast in his beginning pb role in a film, the low-budget action moving-picture show, Operation C.I.A. (1965). He guest starred on Flipper, The F.B.I. and 12 O'Clock High.
Hawk and leading roles in films [edit]
Reynolds was given the title part in a Tv set series, Hawk (1966–67), playing Native American detective John Hawk. It ran for 17 episodes before being cancelled.[34]
He played another Native American in the Spaghetti Western Navajo Joe (1966) shot in Kingdom of spain. "Information technology wasn't my favorite picture", ...he said later... "I had 2 expressions—mad and madder."[35]
He guest starred on Gentle Ben and made a pilot for a TV series, Lassiter, where he would take played a magazine journalist. It was non picked upwards.[36]
Reynolds then made a serial of films in quick succession. Shark! (1968), shot in Mexico, was directed by Sam Fuller, who removed his name from it, after which its release was held upwards for a number of years. Reynolds described Fade In every bit "the best matter I've always done",[37] just it was not released for a number of years, and the manager, Jud Taylor, took his proper name off. Impasse (1969) was a state of war movie shot in the Philippines. He played the title role in Sam Whiskey (1969), a comic Western written by William W. Norton, which Reynolds afterwards said was "way alee of its fourth dimension. I was playing light one-act and nobody cared."[31]
Reynolds supported Jim Brown and Raquel Welch in some other Western, 100 Rifles (1969), subsequently proverb, "I spent the entire fourth dimension refereeing fights between Jim Brown and Raquel Welch."[38]
In a 1969 interview, he expressed interest in playing roles like the John Garfield office in The Postman Always Rings Twice, but no 1 gave him those opportunities. "Instead, the producer easily me a script and says 'I know it's not at that place now kid, just I know we tin make information technology work.'"[37]
Reynolds had been offered a pb role in Mash (1970), just turned information technology downward later "they told me the other two leads would be Barbra Streisand's married man and that tall, skinny guy who was in The Dirty Dozen." Tom Skerritt played the function and Reynolds, instead, went into Skullduggery (1970), shot in Jamaica. Reynolds joked that subsequently making "those wonderful, forgettable pictures... I suddenly realized I was as hot as Leo Gorcey."[39]
Reynolds then starred in 2 Boob tube films: Hunters Are for Killing (1970) and Run, Simon, Run (1970). In Hunters Are for Killing, his graphic symbol was originally a Native American, merely Reynolds requested this chemical element be inverse, feeling he had played that role too many times already, and it was not needed for the character anyway.[40]
Dan August and talk shows [edit]
Reynolds played the title graphic symbol in police drama Dan Baronial (1970–71), produced by Quinn Martin.[41] The serial was given a full-season society of 26 episodes based on the reputation of Martin and Reynolds merely struggled in the ratings against Hawaii Five-0 and was not renewed.[39]
Albert R. Broccoli asked Reynolds to take over the role of James Bail from Sean Connery, but he turned that role downwardly, saying, "An American can't play James Bond. It only can't exist done."[42]
Following the cancellation of the serial, Reynolds did his kickoff stage play in six years, a product of The Tender Trap at Arlington Park Theatre. He was offered other Telly pilots only was reluctant to play a detective again.
Around this time, he had go well known equally an entertaining talk-show guest, starting with an advent on The Merv Griffin Show. He made jokes at his own expense, calling himself America'southward well-nigh "well-known unknown" who only made the kind of movies "they show in airplanes or prisons or anywhere else the people tin't get out." He proved enormously pop and was frequently asked back by Griffin and Johnny Carson; he even guest hosted the Tonight Show.[22] He was so popular equally a guest that he was offered his own talk show just he wanted to continue as an role player.[43]
He later said his talk testify appearances were "the best thing that ever happened to me. They changed everything drastically overnight. I spent ten years looking virile, saying, 'Put upward your hands.' After the Carson, Griffin, Frost, Dinah'southward show, of a sudden I have a personality."[44]
"I realized that people liked me, that I was enough", said Reynolds. "And then if I could transfer that grapheme—the irreverent, self-deprecating side of me, my favorite side of me—onto the screen, I could take a large career.[45]
Deliverance and the centerfold [edit]
Reynolds had his breakout office in Deliverance, directed by John Boorman, who bandage him on the ground of a talk show appearance. "It's the outset time I haven't had a script with Paul Newman's and Robert Redford's fingerprints all over it", Reynolds joked. "The producers actually came to me first."[43]
"I've waited xv years to do a really adept moving picture", he said in 1972. "I fabricated so many bad pictures. I was never able to turn anyone down. The greatest curse in Hollywood is to be a well-known unknown."[46]
Reynolds too gained notoriety effectually this time when he began a well-publicized relationship with Dinah Shore, who was 20 years his senior, and afterward he posed naked in the April 1972 issue of Cosmopolitan.[47] [48] Reynolds said he posed for Cosmopolitan for "a kick. I accept a strange sense of humour" and because he knew he had Deliverance coming out.[46] He afterwards expressed regret for posing for Cosmopolitan.[49]
Deliverance was a huge commercial and critical success, which, along with talk-bear witness appearances, helped establish Reynolds as a major movie star. "The dark of the Academy Awards, I counted a one-half-dozen Burt Reynolds jokes", he afterwards said. "I had become a household name, the most talked-nearly star at the award show."[22]
He was then in Fuzz (1972), reuniting him with Welch, and also made a cameo in the Woody Allen pic, Everything You E'er Wanted to Know About Sex*(*But Were Agape to Ask) (1972). He also returned to the stage, appearing in The Rainmaker at the Arlington.[50]
Reynolds had the championship function in Shamus (1973), playing a modern-day individual eye. The film drew lackluster reviews, just nonetheless became a solid box-role success. Reynolds described it as "not a bad motion-picture show, kind of cute."[31]
He was in The Human being Who Loved Cat Dancing (1973), co-starring Sarah Miles. The film was a minor hit, peradventure all-time remembered for the scandal of Miles'southward lover, an aspiring screenwriter, committing suicide during the filming.[31]
Reynolds was meant to reunite with Boorman in Zardoz, but fell ill and was replaced by Sean Connery.[51]
White Lightning [edit]
Another turning moment in Reynolds's career came when he made the light-hearted car-hunt movie written past Norton, White Lightning (1973). Reynolds later chosen information technology "the get-go of a whole series of films made in the South, most the South and for the S... you could brand back the price of the negative just in Memphis lonely. Anything outside of that was just gravy."[31] Car-chase films would be Reynolds's most profitable genre. At the end of 1973, Reynolds was voted into the listing of the x most-popular box-office stars in the United states of america at number iv. He would stay on that list until 1984.
He made a sports comedy with Robert Aldrich, The Longest Yard (1974) which was popular. Aldrich after said "I call up that on occasion, he's a much better actor than he'southward given credit for. Non always: sometimes he acts like a caricature of himself."[52]
Reynolds so appeared in ii big-budget fiascos: At Long Final Love (1975), a musical for Peter Bogdanovich, and Lucky Lady (1975) with Factor Hackman and Liza Minnelli.
More pop was another light-hearted car-chase film, W.W. and the Dixie Dancekings (1975), and a tough cop drama with Aldrich, Hustle (1975).[31] He did a cameo for Mel Brooks in Silent Pic (1976).
Director [edit]
Reynolds made his directorial debut in 1976 with Gator, the sequel to White Lightning, written past Norton.[53] "I waited 20 years to do it [directing] and I enjoyed information technology more than anything I've always done in this business", he said later on filming. "And I happen to think it's what I do best."[54]
He was reunited with Bogdanovich for the screwball one-act, Nickelodeon (1976), which was a commercial disappointment. Aldrich later commented, "Bogdanovich can go him to practise the phone book! Anybody else has to persuade him to exercise something. He's fascinated by Bogdanovich. I tin can't understand it."[52] He turned downwardly the function of Clark Gable in Gable and Lombard.[55]
Smokey and the Bandit and career acme [edit]
Reynolds had the biggest hitting of his career with a car-chase film, Smokey and the Brigand (1977), directed past Hal Needham and co-starring Jackie Gleason, Jerry Reed, and Sally Field.
He followed it with a comedy most football players, Semi-Tough (1977), co-starring Jill Clayburgh and Kris Kristofferson and produced past David Merrick. He and so directed his second film, The End (1978), a blackness comedy, playing a office originally written for Woody Allen.[56]
More pop was a car one-act he made with Needham and Field, Hooper (1978), where he played a stuntman.
"My ability as an histrion gets a little amend every time", he said around this time. "I'm very prolific in the corporeality of films I brand—ii-and-a-one-half or three a year—and when I wait at any picture show I practise at present compared to Deliverance, it's miles above what I was doing and so. Merely when you lot're doing films that are somewhat similar to each other, as I've been doing, people accept it for granted."[55]
He turned downwards the role played past Alan Alda in California Suite (1978) because he felt the part was too small.[55]
He too said, "I'd rather direct than act. I'd rather do that than anything. It's the 2nd-best awareness I've e'er had." He added that David Merrick had offered to produce two films Reynolds would direct without having to human action in them.[55]
Reynolds tried a alter of stride with Starting Over (1979), a romantic one-act, again co-starring Clayburgh and Candice Bergen; it was co-written and produced by James L. Brooks. He played a gem thief in Rough Cut (1980) produced by Merrick, who fired and so rehired director Don Siegel during filming.
Reynolds had two huge hits with car films directed by Needham, Smokey and the Bandit Two (1980) and The Cannonball Run (1981). He starred in David Steinberg'south film Paternity (1981) and directed himself in a tough action motion-picture show, Sharky'south Machine (1981).
Reynolds wanted to try a musical again, and agreed to exercise The All-time Little Whorehouse in Texas (1982). It was a box-office hitting, every bit was All-time Friends (1982) with Goldie Hawn. In 1982, Reynolds was voted the most pop star in the Us for the fifth year in a row.
Around this fourth dimension he reflected:
The but thing I really enjoy is this business, and I think my audience knows that. I've never been able to figure out exactly who that audition is. I know there have been a few pictures even my female parent didn't become run across, but there'south always been an audience for them. I guess information technology is considering they always know that I give it 100 percent, and practiced or bad, there'south going to be quite a lot of me in that picture. That's what they're looking for. I don't take whatsoever pretensions about wanting to be Hamlet. I would only like to be the best Burt Reynolds around.[57]
Career reject [edit]
James Fifty. Brooks offered Reynolds the office of astronaut Garrett Breedlove in Terms of Endearment (1983) but he turned it downwards to do Stroker Ace (1983), another car-hunt comedy directed by Needham. The Endearment role went to Jack Nicholson, who went on to win an Academy Award. Reynolds said in 1987 that "I felt I owed Hal more than I owed Jim" just Stroker Ace flopped.[58]
In 1983, an unnamed producer had said that while Reynolds' salaries would not pass up considering of Stroker Ace 's failure, "if two or 3 more such pictures don't piece of work, people will just finish putting him in that kind of film and that's the kind of pic for which he gets paid the most".[59] Reynolds felt this was a turning signal in his career from which he never recovered. "That'southward where I lost them", he said of his fans.[58]
The Man Who Loved Women (1983), directed by Blake Edwards, too flopped. In an interview around this time, he said:
Getting to the peak has turned out to exist a hell of a lot more fun than staying in that location. I've got Tom Selleck crawling up my back. I'm in my late 40s. I realize I have four or five more than years where I tin can play certain kinds of parts and get away with it. That'due south why I'm leaning more and more toward directing and producing. I don't desire to be stumbling around town doing Gabby Hayes parts a few years from now. I'd like to pick and choose and maybe go work for a perfume factory similar Mr. Cary Grant, and look wonderful with everybody saying, 'Gee, I wish he hadn't retired'.[57]
Cannonball Run II (1984), directed by Needham, brought in some money but only one-half of the original. City Heat (1984), which teamed Reynolds and Eastwood, was mildly popular simply was considered a major disquisitional and box-office thwarting. Reynolds was badly injured during filming when he was hit in the jaw with a real chair instead of a breakaway prop, causing him excruciating chronic pain every bit well as a sharp weight loss which resulted in rumors circulating for years that he had AIDS.[58]
Reynolds returned to directing with Stick (1985), from an Elmore Leonard novel, but it was both a disquisitional and commercial failure. So besides were 3 other activity films he made: Estrus (1986), based on a William Goldman novel, Malone (1987), and Rent-a-Cop (1987) with Liza Minnelli.[58] He later said that he did Heat and Malone "because there were so many rumors about me [most AIDS]. I had to become out and be seen".[60]
In 1987, Reynolds teamed upwards with Bert Convy to co-produce the game show Win, Lose or Depict for their product company, Burt and Bert Productions. The evidence was based on "sketch pad charades", a game he often played with his friends in his living room in Jupiter. Vicki Lawrence hosted the daytime version on NBC while Convy hosted the syndicated version until 1989 when he left to host 3rd Caste, also created by Reynolds and Convy.[ citation needed ]
Reynolds attempted a screwball comedy, Switching Channels (1989), but it also was a box-part disappointment. Fifty-fifty more poorly received was Physical Evidence (1989), directed by Michael Crichton. Reynolds received excellent reviews for the caper one-act Breaking In (1989), but the commercial reception was poor.[61]
"When I was doing very well," he said at the time, "I wasn't conscious I was doing very well, but I became very conscious when I wasn't doing very well. The atmosphere changed."[60]
Return to TV: BL Stryker and Evening Shade [edit]
Reynolds returned to Television receiver series with B.Fifty. Stryker (1989–xc). It ran ii seasons, during which fourth dimension Reynolds played a supporting role in Modernistic Love (1990).
Reynolds and then starred in a sitcom, Evening Shade (1990–94) as erstwhile Pittsburgh Steelers player Woodward "Forest" Newton. The program was a considerable success, with 98 episodes over four seasons. This function earned him an Emmy Award. Reynolds credited this role for his membership in Steeler Nation.
During his tenure on Evening Shade, Reynolds was seen in other projects, starting with a cameo in The Player (1992).
On August 23, 1993, the children's pic Cop & 1/2 premiered, in which Reynolds played the lead.[62] On Baronial 25, the Randy Travis television set special Wind in the Wire first aired; Reynolds was among the guests.[63] On October 15, CBS first aired the television flick The Man from Left Field, co-starring Reba McEntire. Reynolds starred and directed.[64]
Character thespian [edit]
When Evening Shade concluded, Reynolds played the atomic number 82 in a horror film, The Maddening (1995). Yet, he gradually moved into being more of a character actor – he had key support roles in Citizen Ruth (1996), an early on work from Alexander Payne, and Striptease (1996) with Demi Moore. He had to audition for the latter. The film's producer later said, "To exist honest, we were not enthusiastic at first. In that location was the hair and his reputation, but we were curious."[65] Reynolds got the office and earned some strong reviews.
Reynolds was a supporting player in Frankenstein and Me (1996), Mad Domestic dog Fourth dimension (1996), The Cherokee Kid (1996), Encounter Wally Sparks (1997) with Rodney Dangerfield, and Edible bean (1997) with Rowan Atkinson. He had the lead in Raven (1996), a straight-to-video action film. Around this time he claimed he was bankrupt, having gone through $thirteen meg.[65]
In 1996, Reynolds'southward agent said "Regarding Burt, there's a split betwixt the executives in town who are under 40 and those who are over 40. The younger executives are more open to Burt considering they grew upward loving Deliverance. But the older executives think how crazy he was, and they are less receptive."[65]
Boogie Nights and career revival [edit]
Reynolds appeared as an developed picture show manager in the hit picture show Boogie Nights (1997), which was considered a comeback office for him; he received 12 interim awards and iii nominations for the role, including a nomination for the Academy Award for Best Supporting Histrion, Reynolds'south kickoff and merely nomination for the award. Reynolds was offered a role in Boogie Nights writer/managing director Paul Thomas Anderson'southward subsequent film, Magnolia (1999), but he declined, saying that he hated working on Boogie Nights and hated Anderson.[9] [66]
He had the lead in Big City Dejection (1997) and supporting roles in Universal Soldier 2: Brothers in Artillery (1998) and Universal Soldier III: Unfinished Business organisation (1998).
Reynolds returned to directing with Hard Time (1998), an action Goggle box film starring himself. Information technology led to ii sequels, which he did not direct, Hard Time: The Premonition (1999) and Hard Time: Hostage Hotel (1999) (the latter directed by Hal Needham).
He starred in the straight-to-video The Hunter'south Moon (1999), Stringer (1999), and Waterproof (2000). He played supporting roles in Pups (1999) and Mystery, Alaska (1999), and had the atomic number 82 in The Crew (2000) aslope Richard Dreyfuss.
Reynolds directed The Concluding Producer (2000), starring himself, and was 2d-billed in Renny Harlin'south Driven (2001), starring Sylvester Stallone. He was likewise in Tempted (2001), Hotel (2001) (directed past Mike Figgis), and The Hollywood Sign (2001).
He voiced Avery Carrington in Grand Theft Auto: Vice Urban center, released in 2002.[67]
Reynolds was elevation-billed in Snapshots (2002) with Julie Christie, Time of the Wolf (2002), and Hard Ground (2003), and had supporting roles in Johnson County War (2002) with Tom Berenger, and Miss Lettie and Me (2003) with Mary Tyler Moore.
He was in a serial of supporting roles that referred to earlier performances: Without a Paddle (2004), a riff on his part in Deliverance, The Longest Yard (2005), a remake of his 1974 striking with Adam Sandler playing Reynolds's former function (while Reynolds played the Michael Conrad part from the original); and The Dukes of Hazzard (2005) as Boss Hogg in a nod to his performances in 1970s motorcar-chase films.[68]
Reynolds continued to play atomic number 82 roles in films such as Cloud nine (2006), Forget Near It (2006), Bargain (2008), and A Agglomeration of Amateurs (2008), and supporting parts in End Game (2006), Grilled (2006), Broken Bridges (2006), In the Name of the King (2007), Non Some other Not Another Movie (2011), and Reel Dearest (2011).
He had a invitee role in Fire Notice, By & Future Tense. The episode aired Jul 22, 2010.
Reynolds voiced himself as the Mayor of Steelport in Saints Row: The Third, released in 2011. Players can recruit Reynolds as a "homie", depending on their in-game choices.
Reynold'south concluding Idiot box role was as himself (as a voice player) in the 2012 episode "The Man from Jupitor" of the animated serial "Archer". The character of Sterling Archer was largely inspired by Burt Reynolds.
He was top billed in Category v (2014) and Elbow Grease (2016) and could be seen in key roles in Pocket Listing (2016), and Hollow Creek (2015). He returned to a regular role on Idiot box in Striking the Breaks (2016) simply it just ran for ten episodes. He was in Apple of My Heart (2016) and took the atomic number 82 in The Final Picture Star (2017).
Posthumous releases [edit]
Reynolds appeared posthumously in the 2019 moving-picture show An Innocent Kiss also equally in the 2020 film Defining Moments, which includes his final operation.
In May 2018, Reynolds had joined the cast for Quentin Tarantino'due south film In one case Upon a Time in Hollywood as George Spahn (an 80 year sometime bullheaded man who rented out his ranch to Charles Manson),[69] but he died before shooting his scenes[seventy] and was later replaced by Bruce Dern.[71]
[edit]
Reynolds co-authored the 1997 children's book, Barkley Unleashed: A Pirate's Tail, a "whimsical tale [that] illustrates the importance of perseverance, the wonders of friendship and the power of imagination".[72]
Music [edit]
In 1973, Reynolds released the country/easy listening anthology Enquire Me What I Am. He also sang in two movie musicals: At Long Last Love (1975) and The Best Little Whorehouse in Texas (1982).[73]
Bankruptcy [edit]
Despite his lucrative career, in 1996 he filed for Chapter 11 defalcation, due in part to an extravagant lifestyle, a divorce from Loni Anderson and failed investments in some Florida restaurant bondage.[74] [75] Reynolds emerged from bankruptcy ii years later.[8]
Personal life [edit]
Reynolds in higher "was and then good-looking, I used him as bait", college roommate Lee Corso recalled. "He'd walk across campus and bring dorsum two girls, ane cute and one ugly; I got the ugly daughter. His ugly girlfriends were better than anyone I could get on my own."[76] Reynolds was married to English extra Judy Carne from 1963 to 1965. He and American singer-extra Dinah Shore (20 years his senior) were in a human relationship from early on 1971 until 1975.[77] In the mid-1970s, Reynolds briefly dated vocalizer Tammy Wynette.[78] He had a relationship from 1976 to 1980 (then off-and-on until 1982) with American actress Sally Field,[79] [80] during which fourth dimension they appeared together in four films. In 2016, he regarded Field as the love of his life.[81] Reynolds was married to American extra Loni Anderson from 1988 to 1994. They adopted a son, Quinton.[82] He and Anderson separated after he roughshod in love with a cocktail waitress, Pam Seals, with whom he after traded lawsuits, which were settled out of court.[8]
In the belatedly 1970s, Reynolds opened Burt's Place, a nightclub restaurant in the Omni International Hotel in the Hotel District of Downtown Atlanta.[83] He was a lifelong fan of American football, a effect of his collegiate career, and was a minority possessor of the Tampa Bay Bandits of the USFL from 1982 to 1986.[84] [85] The team'southward proper noun was inspired by the Smokey and the Brigand trilogy and Skoal Bandit, a principal sponsor for the team as a upshot of also sponsoring Reynolds'southward motor racing squad.[86]
Reynolds co-owned a NASCAR Winston Cup Series team, Mach 1 Racing, with Hal Needham, which ran the No. 33 Skoal Brigand machine with driver Harry Gant.[87] He was awarded an honorary doctorate from Florida State University in 1981 and later endorsed the construction of a new performing arts facility in Sarasota, Florida.[88]
He also owned a private "dinner theater" in Jupiter, Florida, with a focus on training young performers looking to enter show concern.[89] The theater was later renamed the Burt Reynolds Jupiter Theater and closed in 1997 afterward Reynolds declared bankruptcy.[ citation needed ]
In 1984, he opened a restaurant in Fort Lauderdale, named Burt & Jacks, which he co-owned with Jack Jackson.[ninety]
While filming City Estrus in 1984, Reynolds was struck in the face with a metal chair on the first day of filming, which resulted in temporomandibular joint dysfunction. He was restricted to a liquid diet and lost thirty pounds from non eating. The painkillers he was prescribed led to addiction, which lasted several years. He underwent back surgery in 2009 and a quintuple coronary artery bypass surgery in February 2010.[8]
On August sixteen, 2011, Merrill Lynch Credit Corporation filed foreclosure papers, claiming Reynolds owed United states of america$one.2 million on his dwelling house in Hobe Sound, Florida.[91] Until its sale during defalcation,[92] he owned the Burt Reynolds Ranch, where scenes for Smokey and the Bandit were filmed and which once had a petting zoo. In April 2014, the 153-acre (62 ha) rural holding was rezoned for residential apply and the Palm Embankment County school organization was empowered to sell it, which it did to the residential developer G. Hovnanian Homes.[93]
Death [edit]
Reynolds died of a center attack at the Jupiter Medical Heart in Jupiter, Florida, on September vi, 2018, at the age of 82.[94] [95] His ex-wife Loni Anderson issued a argument explaining that she and their son Quinton would miss him and "his great laugh."[96] On September 20, 2018, the 2 held a individual memorial service for Reynolds at a funeral domicile in North Palm Beach, Florida. Those in attendance included Sally Field,[97] FSU coach Bobby Bowden, friend Lee Corso, and quarterback Doug Flutie.[98] Reynolds's body was cremated and his ashes were given to his niece.[99] He was later on interred at Hollywood Forever Cemetery on February xi, 2021, on what would have been his 85th birthday.[100] In September 2021, a bronze bust of Burt Reynolds was placed at Hollywood Forever Cemetery.[101]
Tributes [edit]
On the 24-hour interval of Reynolds'south death, Antenna TV, which airs The Tonight Show nightly, aired an episode of The Tonight Show Starring Johnny Carson from February xi, 1982, featuring an interview and a This Is Your Life-style skit with Reynolds. The local media in Atlanta and elsewhere in the state noted on their goggle box news programs that evening that he was the first to make major films in Georgia, all of which were successful, which helped brand the state one of the top filming locations in the country.[102] [103] [104] [105]
Legacy and appraisal [edit]
During the height of his career, Reynolds was considered a male person sex symbol and icon of American masculinity. Stephen Dalton wrote in The Hollywood Reporter that Reynolds "ever seemed to embody an uncomplicated, undiluted, effortlessly likable strain of American masculinity that was driven much more than by sunny mischief than angsty machismo."[2] Reynolds'southward roles were ofttimes defined by his larger-than-life physicality and masculinity, contrasted with juvenile but cocky-enlightened sense of humor.[three] Though he was not considered a serious dramatic actor during his heyday, his afterwards career was defined by performances that ofttimes reflected on his own reputation, creating what Dalton called "sophisticated, soulful performances."[two]
Filmography [edit]
Discography [edit]
- Ask Me What I Am (1973)[106]
Singles [edit]
Year | Title | Nautical chart positions | Anthology | Songwriter | ||
---|---|---|---|---|---|---|
US Country | US | CAN Country | ||||
1980 | "Let'southward Do Something Cheap and Superficial" | 51 | 88[107] | 33 | Smokey and the Bandit II Soundtrack | Richard Levinson |
Awards and nominations [edit]
Year | Association | Category | Nominated work | Result | Ref. |
---|---|---|---|---|---|
1971 | Gold Globe Awards | Best Thespian – Tv Series Drama | Dan August | Nominated | [vii] |
1975 | Best Actor – Motility Picture Musical or Comedy | The Longest Thousand | Nominated | [7] | |
1980 | Starting Over | Nominated | [7] | ||
1991 | Primetime Emmy Awards | Outstanding Pb Thespian in a Comedy Series | Evening Shade | Nominated | [108] |
Gold Globe Awards | Best Thespian – Television Series Musical or Comedy | Nominated | [7] | ||
1992 | Gilt World Awards | Best Player – Goggle box Series Musical or Comedy | Won | [7] | |
Primetime Emmy Awards | Outstanding Lead Actor in a One-act Series | Won | [108] | ||
1993 | Golden World Awards | Best Player – Tv set Series Musical or One-act | Nominated | [vii] | |
1997 | Boston Society of Film Critics | Best Supporting Thespian | Boogie Nights | 2nd place | [109] |
Los Angeles Picture show Critics Clan | Best Supporting Player | Won | [110] | ||
New York Motion picture Critics Circle | Best Supporting Actor | Won | [110] | ||
Online Film Critics Order | Best Supporting Thespian | Won | [111] | ||
1998 | Academy Awards | Best Supporting Actor | Nominated | [112] | |
Golden Globe Awards | Best Supporting Actor – Move Picture | Won | [vii] | ||
British University Film Awards | Best Actor in a Supporting Role | Nominated | [113] | ||
Chicago Film Critics Association | Best Supporting Actor | Won | [110] | ||
Florida Picture Critics Circle | Best Cast | Won | [114] | ||
National Guild of Picture Critics | Best Supporting Actor | Won | [110] | ||
Satellite Awards | Best Supporting Actor – Move Picture | Won | [115] | ||
Best Operation by an Ensemble Cast in a Motility Picture | Won | ||||
Screen Actors Guild | Outstanding Performance by a Male Actor in a Supporting Role | Nominated | [116] | ||
Outstanding Performance past a Bandage in a Motion Picture | Nominated | [116] |
Other honors [edit]
- 1978: Star on the Hollywood Walk of Fame at 6838 Hollywood Blvd.[117]
- 2000: Children at Heart Laurels[118]
- 2003: Atlanta IMAGE Pic and Video Honour[119]
Works [edit]
- Reynolds, Burt. (1994) My Life. New York: Hyperion. ISBN 0-7868-6130-4
- Reynolds, Burt. (2015) Merely Enough About Me: A Memoir. G.P. Putnam'southward Sons. ISBN 0-3991-7354-4
See also [edit]
- Sasha Gabor, developed film star who was a lookalike of Burt Reynolds (equally well as of Sean Connery), portraying him (respectively both) in numerous pornographic parody films.
References [edit]
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Further reading [edit]
- Anderson, Loni. (1997) My Life in High Heels. Avon Books. ISBN 978-0-380-72854-1
- Field, Emerge (2018). In Pieces. New York Urban center: Grand Central Publishing. ISBN 978-i-5387-6302-v.
- Zeman, Ned. "Burt Reynolds Isn't Broke, but He's Got a Few Regrets" Vanity Fair, Dec 2015 – interview and photographs
- "Evidence Concern: Frog Prince". Time. August 21, 1972
External links [edit]
- Burt Reynolds at IMDb
- Burt Reynolds at the TCM Movie Database
- Burt Reynolds at Discover a Grave
Source: https://en.wikipedia.org/wiki/Burt_Reynolds
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